In the Musée d’Orsay in Paris, there’s a picture that, last time I looked, was curtained off. A couple of Japanese girls came out from behind the curtain, stuffing their hands into their mouths to stop the giggles. I went in to see the cause of the girly mirth and there it was, Gustave Courbet’s ‘Origine du Monde’, a painting of a woman’s open legs, with dark pubic hair and a glimpse, but only a glimpse, of th e labia. It’s obviously provocative: you could say that Courbet has cut to the chase as far as male viewers are concerned. He’s got his Mount of Venus, lots of hair and a bit of bottom and, further up, there’s some uncovered breast.
In other words, everything about the woman that doesn’t relate to sex has simply been topped and tailed; there may or may not have been humour intended.
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