Alexander Chula

The uncomfortable lessons of the new Fourth Plinth statues

The story of Revd John Chilembwe and John Chorley reveals both the injustice and the beneficence of Empire

Samson Kambalu’s ‘Antelope’, soon to adorn the Fourth Plinth in Trafalgar Square. Credit: James O Jenkins 
issue 10 September 2022

The Revd John Chilembwe – whose statue now adorns Trafalgar Square – is notorious for the church service he conducted beneath the severed head of William Jervis Livingstone, a Scottish plantation manager with a reputation for mistreating his workers. The night before, Chilembwe’s followers had broken into his house and chased him from room to room as he tried to fend them off with an unloaded rifle. Eventually, they pinned him down and decapitated him in front of his wife and children. It was the most significant action in the 1915 Chilembwe rebellion, a small, short-lived affair in an obscure corner of the British Empire today known as Malawi.

It says a lot about our times that a figure with Chilembwe’s record should be vaunted with a public statue. The Fourth Plinth Commission announced the decision in July last year, when dispute about statues was intense. The summer before, Black Lives Matter riots had erupted in Britain.

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