Stuart Jeffries

The tyranny of the visual

Stuart Jeffries explains how it feels, as an arts journalist, to nearly lose your sight

Scents and sensibility: Anicka Yi’s installation in the Turbine Hall at Tate Modern wants us to feel with our noses. Credit: © Will Burrard-Lucas 
issue 06 November 2021

In 1450, the Duke of Urbino, Federico da Montefeltro, became monocular after losing vision in his right eye following a jousting accident. In order to improve the peripheral vision of his left eye, he had surgeons cut off the bridge of his nose. In Piero della Francesca’s 1472 portrait, the Duke is depicted in profile, so we can see that an equilateral triangle of flesh and bone has been chopped from what must have been an elegant aquiline beak.

I have been more fortunate. In the past year I’ve had four operations at Moorfields Eye Hospital in London to repair a detached retina that made me blind in one eye. I didn’t have to cut off my nose to spite my face and improve my vision. What was impossible in the 15th century has become routine in the 21st. I’m one of 6,000 or so Brits this year who have this surgery.

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