Debbie Hayton Debbie Hayton

The trouble with Trafalgar Square’s transgender tribute

The artwork, by Teresas Margolles, was unveiled in Trafalgar Square (Getty)

Seven hundred and twenty-six plaster face casts of transsexual, non-binary or gender non-conforming people were unveiled yesterday in London’s Trafalgar Square. Mil Veces un Instante (A thousand times an Instant) by Mexican artist, Teresa Margolles, sits proudly upon the Fourth Plinth around Nelson’s Column. The casts are arranged in the form of a Tzompantli, or a ‘skull rack’, that exhibited the remains of war captives or sacrifice victims, and the art is intended to draw attention to the rights of trans people worldwide. But is it really necessary? As another Transgender Day of Remembrance approaches on 20 November with its pseudo-religious trappings, this imagery is not what London needs.

How and why did trans people become the focus of Londoners’ attention on the fourth plinth?

While trans people worldwide do sadly suffer violence, the risk factors can be overlooked. More than 320 ‘trans and gender diverse people’ were reportedly murdered last year.

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