Stephen Daisley Stephen Daisley

The trouble with Netflix’s Queen Cleopatra

Adele James starring as Queen Cleopatra (Credit: Netflix)

It’s the worst thing to happen to Cleopatra since that snake in the mausoleum. Queen Cleopatra is the second season of African Queens, a revisionist Netflix strand touting itself as a documentary series on black monarchs.

Produced and narrated by Jada Pinkett Smith, it is an attempt to repackage history for a contemporary audience. Queen Cleopatra purports to explore ‘the real woman’ and ‘her truth’ as a female warrior who ‘bowed to no man’. Cleopatra was a tenacious leader and a canny strategist but her reign ended in suicide after her defeat to Octavian at Actium destroyed the Ptolemaic dynasty. No doubt there’s an audience for kickass girlboss history but there’s a reason Plutarch’s Life of Antony is light on the ‘yaas, kween, slay!’.

In kicking the hornets’ nest of identity politics, producers know they can generate a reaction from cultural out-groups

Then again, maybe there’s not much of an audience. Queen Cleopatra has bombed with critics and viewers alike.

Get Britain's best politics newsletters

Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.

Already a subscriber? Log in

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in