Mary Wakefield Mary Wakefield

The thinking man’s punk

Mary Wakefield talks to Julien Temple about Joe Strummer and his latest film

issue 12 May 2007

Sometimes you absolutely know, beyond the gentlest breath of a doubt, that you’re not going to like a person; something you’ve heard, or read about them, has tipped you over into a flinty conviction that they’re not your type. I took a preconception of this sort with me to meet the cult film-maker Julien Temple. He’ll be arrogant, I thought, full of humourless guff about rock festivals and his days documenting the lives of the Sex Pistols (Sex Pistols Number 1 [1977], The Great Rock ’n’ Roll Swindle [1980] and The Filth and the Fury [2000] — though all three films were good).

I carried my conviction with me along Bethnal Green road to Temple’s recording studio; into the canteen and up to his table, where, as he lifted his head to say hello, it instantly collapsed. My antipathy, it turned out, had just been a front for a fear of punk.

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