The tao of Ayn Rand

I’m now half way through Atlas Shrugged and I’m loving almost every moment. But Ayn Rand isn’t someone you read for pleasure, I’m beginning to realise. She’s someone you read so you can underline sentences and scrawl in the margins ‘Yes’, ‘God that is so TRUE!’ and ‘YES!!!’

For example, at the heart of the novel are three romances between heroine Dagny Taggart and a trio of driven, dauntless free marketeers. But you don’t pay them any serious attention — not even during the sex scenes, which you skip quickly past in order to get to the much more exciting bits about industrial relations. Partly, it’s because Rand isn’t much of a prose stylist, least of all when she tries to do lyrical. And partly it’s because the novelistic flourishes are irrelevant almost to the point of being a nuisance. Whenever Rand attempts to fill in a bit more character detail, you feel rather as you would in The Pilgrim’s Progress if Bunyan started trying to sketch in a backstory for Mr Valiant-for-Truth.