Dominic Green Dominic Green

The symbolism of Orion, the hunter of the heavens

From the moment mankind learnt to stalk and kill, the hunter has been exalted in myth and legend, according to Roberto Calasso

Orion the Hunter in a fresco from the Villa Farnese, Caprarola, Italy. Credit: bridgeman images 
issue 09 May 2020

What happened in the rites of Eleusis is a mystery. So are all the unwritten parts of human history. Our pre-literate past is a history without a clear story: excavated stones and waste pits, fragments of myth and philological association. The early literate past is little clearer. The later Bronze Age of the Myceneans, the Minoans and Moses is a speculative assembly. Later, the surfaces of the Athens of Plato and Pericles are solid in marble and rational in thought, but the myths remain strange and violent memories, subject to an alien, evasive logic we cannot quite follow. ‘These Greeks,’ Hugo von Hofmannsthal mused as he climbed up to the Acropolis in 1908, ‘where are they?’

The Celestial Hunter is the latest instalment in Roberto Calasso’s exploration of what makes us modern, which is also the rediscovery of what made us ancient. This time, Calasso narrates the religious prehistory of ancient Greece, from shamanic origins to the ages of gods and heroes, and then to Athens’s uneasy incorporation of the Eleusisian mystery cult.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in