Louis Amis

The surrealism of war against Isis

At every break in the fighting in Mosul in 2016, out came the phones — for selfies, texting, calling mother or watching execution videos

issue 16 November 2019

The campaign against Isis was pretty big news for most of 2016. But by the time the final showdown got under way in Mosul, it was late October. Western journalism was already departing on a bold new chapter, with great new villains much closer to home. For news consumers, one tableau of confusion and anxiety cross-dissolved into the next.

Fortunately, James Verini, a reporter for the New York Times magazine, was on the ground in Mosul, still working to bring closure to the previous nightmare. But that’s no easy task when ‘you’re usually sitting in some house or truck, or squatting behind some berm, listening to the destruction’, as he confides early on in They Will Have to Die Now. ‘Experientially, war is mainly sound.’

War also ‘consists largely of waiting for war’, which is very boring.

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