Juliet Nicolson

The summer I dwelt in marble halls

Gill Johnson recalls the glorious months she once spent in the ‘gilded labyrinth’ of a Venetian palazzo, employed as an English tutor to an aristocratic Italian family

Gill Johnson poses on the piano nobile of the Palazzo Brandolini. ‘I neither saw nor heard anyone play the harp in the background,’ she admits. [David Ross] 
issue 20 January 2024

The discovery of a cache of long-lost love letters might be an over-familiar inspiration for a memoir, risking a bit of a dusty lane indulgence – a charming, nostalgic featherbed flop into a past romance. But although the events described by this delightful nonagenarian first-time author took place three-quarters of a century ago, there is nothing sepia-flattened about Gill Johnson’s writing. This is a book which shimmers with remarkable recall as the author returns us to the post-war vibrancy of Venice and the dazzling inhabitants who transformed her young life.

The youngest of four children, Gill reached adulthood in Blitz-scarred, rationed 1950s London. She shared a depressing, claustrophobic Westminster flat with her snobbish parents, who, unhappy with each other and life, planned for her to marry a cabinet minister ‘with boundless promise’. Her mother ‘drifted about like a mournful mannequin’ and her emasculated father, like most people then, was ‘waiting for things to improve’, as the grandfather clock in the Victorian parlour marked the dreary passage of time.

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