Scott Bradfield

The subversive message of Paradise Lost

The great poem is mostly about revolution: how much individuals can revolt against God, father, church and king without bringing all the heavens down upon their heads

‘The Temptation and Fall of Eve’, by William Blake, for an 1808 edition of Paradise Lost. [Alamy] 
issue 30 November 2024

For those of us who have long loved (or hated) Paradise Lost, this is one of those rare and refreshing books that invites us to compare our feelings with other committed readers over the centuries. The poemmay well be the only major work in the western canon that nobody can avoid for long – even if it comes down to making a decision not to read it at all, or just to give up trying.

Orlando Reade argues that it may also be the most ‘revolutionary’ text commonly available in modern classrooms – written by a man who, in his time, took extreme positions on everything from divorce (he was all for it) and whether kings have a divine right to keep their heads (they don’t). John Milton read widely and lived during the most conflict-driven period of British history. His longest poem – possibly the greatest poetic work ever composed – wrestles with issues he’d previously discussed in a series of widely read polemical pamphlets.

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