She was an unlikely contender for fame from the outset, with a pub singer voice and a nose so prominent she would later have it surgically reduced. But, with her Scouser-next-door persona and trademark cropped hair, Cilla Black was in the right place at the right time: she rode the popular wave created by Beatlemania and its attendant appetite for all things Liverpudlian. This led to national stardom as a singer.
Then, when her pop career waned, instead of disappearing into obscurity, Cilla managed to relaunch herself into a spectacular second career as one of the biggest names at the lighter end of TV light entertainment. Now, some nine years after her death, Cilla has achieved her most unlikely success yet – by becoming a household name among gen Z.
I first became aware of this strange phenomenon when we made our annual family trip to panto, the excellent Charles Court Opera’s The Odyssey at the Jermyn Street Theatre. This
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in