Patrick Skene-Catling

The Spoken Word, Irish Poets and Writers – audio book

issue 08 June 2013

Here is further evidence that it is disillusioning, more often than not, to encounter close up any artist long admired at a distance. This generalisation applies to actors, musicians, painters and writers of all shapes and sizes, male and female. Coiffure and couture are rarely sufficiently haute; on the other hand, bohemian grooming and costumes are often rather scruffy. In advanced cases, there are dangers of rheumy eyes and bad breath.

The Spoken Word, the British Library’s admirable series of compact discs of historic literary recordings of lectures, readings and discussions from the archives of the BBC, audibly reduces icons to curios on an ordinary human scale. The latest discs, Irish Poets and Writers, take one back, as though by time machine, to Irish culture in the first half and middle of the 20th century, when Irishry was more intensely Irish than now, and regional accents were more distinctly differentiated. Since then, international and internal influences, most notably television, have had a homogenising effect, and have made the literary arts generally, alas, seem less important.

On this adventure in nationalistic nostalgia, one can listen to the recorded voices of Frank O’Connor, W.B.

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