For all would-be novelists whose stumbling block is that they can’t resist describing every single sensation in depth — the smell of a bedroom, the sound of a door closing, the feel of a sofa, the experience of getting in and out of a bath — and who therefore find it hard to push a plot along, Michael
Cunningham’s new novel is a masterclass. The Pulitzer-prizewinning author of The Hours (in which three-quarters of a page is taken up with an unforgettable description of the armchair of an ill man) is a chronic over-describer. In this new novel about the lives and anxieties of two brothers in their forties, Tyler (straight) and Barrett (gay), the first hour of a weekday morning in a cramped flat in a dingy suburb in Brooklyn takes up over 90 pages, and you wouldn’t want it any other way.
Barrett’s emptying bath is so described:
The sloughed-off outermost layer of city grime and deceased epidermis are (he can’t help thinking this) some measure of his essence, his little greeds and vanities.
The flat has
an acoustic ceiling, the apartment’s most horrific aspect, pockmarked, dingily white squares made of god-knows-what.
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