Lloyd Evans Lloyd Evans

The show works a treat: Globe’s The Tempest reviewed

Plus: a multi-layered new musical from Southwark Playhouse and a subtle, delicate comedy at the White Bear

Ferdy Roberts as an oddly angry Prospero in a fun new production of The Tempest at the Globe [Marc Brenner] 
issue 27 August 2022

Southwark Playhouse has a reputation for small musicals with big ambitions. Tasting Notes is set in a wine bar run by a reckless entrepreneur, LJ, whose business bears her name. In real life, LJ’s bar would go bust within weeks. It serves vintage wines to a clientele of wealthy tipplers who chug back large tureens of Malbec and claret but who eat no food. The staff help themselves to free champers and Burgundy whenever they choose, and the boss fusses around like a mother hen making sure her brood are safe and content. Bad punctuality is never punished and the staff improvise each shift as they go along. But the emotional atmosphere of LJ’s feels right. It’s a substitute family for the drifters and dreamers who work there, and the customers are treated as pals rather than clients. When a friendly alcoholic, Joe, fails to arrive for his evening bottle of grog, the staff rush to his flat.

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