Honor Clerk

The selfie from Akhenaten to Tracey Emin

A review of James Hall’s The Self-Portrait: A Cultural History. This wonderful survey has brilliant timing – but not nearly enough illustrations

Marcia painting her self-portrait’; detail from Boccaccio’s On Famous Women (1402) [Getty Images/Shutterstock/iStock/Alamy] 
issue 22 March 2014

If ever there was a time to write a book about self-portraits, this must be it.  ‘Past interest in the genre,’ James Hall tells us in his introduction to this cultural history, ‘is overshadowed by the obsession with self-portraiture during the last 40 years.’ What he could not have foreseen was that self-portraiture would feature in the mainstream news as never before over the last six months or so.

Firstly, the Oxford English Dictionary announced that ‘selfie’ was their word of the year for 2013, spawning a noisy debate about photographic self-portraiture. Next, David Cameron, Barack Obama and Helle Thorning-Schmidt were spotted taking a selfie at Nelson Mandela’s memorial service — an act that merited global news coverage. And throughout this time the National Portrait Gallery in London has been pursuing a high-profile campaign to save a late Van Dyck self-portrait from export, a campaign which, thanks to the Duchess of Cambridge, has now reached the pages of Hello!

Topical it might be, but modish this book is not.

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