Susie Mesure

The roots of conflict: The Island of Missing Trees, by Elif Shafak, reviewed

Nothing happens without a reason in this meticulously plotted tale of love, grief and memory set in Cyprus and London in the aftermath of the 1974 civil war

A Royal Navy helicopter picks us evacuees near Kyrenia in Cyprus during the civil war in 1974, the setting for parts of Shafak’s new novel. Credit: Keystone/Getty Images 
issue 14 August 2021

The Island of Missing Trees feels like a strange title until you realise how hard Elif Shafak makes trees work in her latest novel, an epic tale about love, grief and memory set in Cyprus and London between 1974 and the ‘late 2010s’.

One tree, a fig or ficus carica, narrates half the story, tipping Shafak’s 12th novel into myth territory. The others — the missing trees — are stand-ins for those killed in the 1974 Cypriot civil war, metaphors labouring as hard as plants for the British-Turkish author who fled Turkey after being prosecuted for ‘insulting Turkishness’ in her 2006 novel The Bastard of Istanbul.

The action opens in December, in a school in north London, where 16-year-old Ada (whose Turkish-Cypriot mother, Defne, died the previous January) is in a history lesson. Her teacher is gearing up to study migration and generational change.

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