Joanna Rossiter

The romcom is dead

The traditional boy-meets-girl formula belongs to a different time

  • From Spectator Life
Meg Ryan, Tom Hanks and Ross Malinger in Sleepless in Seattle [Alamy]

From bucket hats to Britney Spears, the 1990s and 2000s are back in vogue. Who could have predicted that the cringe-inducing baggy trousers and All Saints-esque crop tops that filled teenage wardrobes 20 years ago would be resurrected with such gusto by Gen Z? But there’s one part of turn-of-the-century culture that remains firmly consigned to the past. Unlike the clothing of the era, the romcom has proved remarkably resistant to modern reinvention – no matter how hard Hollywood tries.

Last month, two romantic comedy veterans – Reese Witherspoon and Ashton Kutcher – reunited in a stoic effort to woo audiences back to the genre. But their film – Your Place or Mine – was quickly panned by critics and has floundered at the box office despite its Valentine’s Day release. Likewise, Nancy Meyers – who directed The Holiday (2006) and What Women Want (2000) – has just had her latest romcom dropped by Netflix before it even reached production.

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