Michael Hann

The rise of toytown pop

Sadly, after a couple of years of candy-sweet confections, the serious musicians got the upper hand

issue 03 June 2017

Pop’s counterfactuals tend to be built on questioning mortality: what if Jimi Hendrix had lived? Or Buddy Holly? Rarely does geopolitics enter into the speculation. Nevertheless, there’s a case for arguing that the landscape of British pop would have been markedly different had Harold Wilson acceded to the wishes of President Lyndon Johnson and sent British forces to Vietnam.

That’s worth contemplating now, ahead of the latest reissue — deluxe and expanded and remastered, as these things always are — of Sgt. Pepper’s Lonely Hearts Club Band, released last week for the 50th anniversary of the original album. The Beatles — along with Pink Floyd, who were recording The Piper at the Gates of Dawn in the adjoining Abbey Road studio — more or less determined the parameters of English psychedelia, shaping it in a way that was markedly different from what was happening on the other side of the Atlantic.

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