Lloyd Evans Lloyd Evans

The rise of soapy, dead-safe drama: The Band Back Together reviewed

Plus: two young actresses bring great spirit and energy to the rites of masculinity at the King's Head Theatre

Laura Evelyn, James Westphal and Royce Cronin in The Band Back Together at the Arcola. Credit: Kate Hockenhull photography 
issue 14 September 2024

The Band Back Together is a newish play, written and directed by Barney Norris, which succeeds wildly on its own terms. It delivers a low-energy slice of feelgood nostalgia involving three musicians who reunite in their hometown of Salisbury. The action consists of talk and songs, more talk, more songs, some cider-drinking and a surprise ending to convince the audience that it was worth the wait.

The play was commissioned by Farnham Maltings, an arts centre in Surrey, whose aim is to ‘bring artists, makers and communities together’ and it feels a bit am-dram. The script has no conflict, suspense or uncertainty. No harrowing emotions or life-changing experiences. It’s just a pipe-and-slippers get-together involving three has-beens who once shared a stage as musicians. For a school band, they were pretty successful and they played numerous gigs in towns outside Salisbury. Why did they split up? You’ll have to wait until the 115th minute to find out.

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