Gareth Roberts Gareth Roberts

The rise of rowdy theatre audiences isn’t a surprise

(photo: iStock)

The incident at Manchester’s Palace Theatre last Friday night at the close of a performance of the musical version of The Bodyguard – audience members singing loudly over the showstopping final number ‘I Will Always Love You’, being manhandled out by security, the show actually being stopped, and police called – has led to lots of chat about etiquette in auditoriums. We are told that rowdy audiences are becoming more of a problem, with a similar incident the week before at Bat Out Of Hell in London, and a new campaign from the theatre union Bectu against anti-social behaviour in theatres.  

It occurs to me that these particular alarums and incidents came about not so much out of general rumbustiousness, but from a confusion on the part of the miscreants about what kind of show was being seen, and what kind of reaction was expected of them. 

We are encouraged to respond very differently – often in the same places – to different types of cultural presentation.

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