William Cook

The rise and fall of bohemia

Golden Gate Park, September 13, 1967, San Francisco. (AP Photo/ Robert W. Klein/Alamy)

In the Kunsthalle Praha, a smart new gallery in Prague, a Scottish professor from UCLA called Russell Ferguson is trying to explain to me the meaning of bohemia. Like a lot of fashionable buzzwords, it’s surprisingly difficult to pin down. Is a bohemian an artistic rebel? Or merely a pretentious layabout? Ferguson is an expert on the subject, and even he can’t quite sum it up.

However, unlike most academics (and most journalists, for that matter) Professor Ferguson isn’t content to just sit around and chat. As well as writing a book about bohemia, he’s mounted an exhibition about bohemians here at the Kunsthalle – and after he’s shown me round, I have a far better sense of what bohemianism is all about. ‘Bohemia – History of An Idea (1950-2000)’ shows how bohemians have shaped the cultural landscape of our lifetimes, and how, after a century of cultural supremacy, their time has passed.

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