Matthew Parris Matthew Parris

The purpose of art is not to impress, but to speak to the heart

Matthew Parris offers Another Voice

issue 14 August 2010

Joining friends grouped around a piano one evening last week, I sat down to hear another friend play. A man of extraordinary talent, he both composes and performs; and this time he had three new compositions to perform for us.

The piano can be a spectacular instrument. An hour sped, for my friend is touched by genius. His style is extravagant, his energy enviable, his mastery of the keyboard stunning. The boom and tinkle, the crashing chords, cascading arpeggios and breathtaking runs impressed me more than I can say. And because my friend refuses to take himself completely seriously it was done in a manner so lavish as to be almost self-mocking — like a thoughtfully playful artist taking the mickey out of Liberace. He turned a solitary piano almost into its own orchestra, which I realised a brilliant pianist can do, with enough skill, will and gusto.

And yet. At the heart of a couple of the best of my friend’s compositions there was a quieter and more simple thing: there was a song.

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