Type ‘Amazing Grace’ into YouTube and you can cancel any other plans you might have had for the day. Page after page serves up everything from Elvis Presley to Pavarotti, Gospel choirs and winsome Celtic lovelies, folkies in fabulous knitwear and X Factor finalists strenuously proclaiming their surgically enhanced faith; even an American president. There are arrangements for electric guitar, steelpan orchestra, bagpipes or (God help us) beginner flute ensemble.
Saved from the storm, Newton was aware of ‘a sense of the amazing grace that snatched me from ruin’
All of which suggests that James Walvin’s Amazing Grace is a book landing in fertile soil. This is a song that’s part of western cultural furniture, ‘as familiar to most people’, he reminds us, ‘as the words of the national anthem’, as inevitable as ‘thoughts and prayers’, as universal as McDonald’s, all the while being endlessly customisable – oh and, crucially, free from any copyright obligation.
Get Britain's best politics newsletters
Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.
Already a subscriber? Log in
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in