Lara King Lara King

The politics of handbags

For centuries, bags have had the ability to reveal a great deal about us without being opened

Experimental fashion: ‘Normandie’ clutch bag, c.1935. Credit: © Victoria and Albert Museum, London 
issue 09 January 2021

‘Of course, I am obstinate in defending our liberties and our law — that is why I carry a big handbag,’ Margaret Thatcher once told an interviewer. That handbag was part of the Iron Lady’s suit of armour; a fashion accoutrement turned into a political prop.

But an accessory that became instantly recognisable on the outside held secrets on the inside. Thatcher referred to it as the only ‘leak-proof’ place in Downing Street, and it was a bag of tricks from which she might conjure pertinent quotes from Abraham Lincoln or Friedrich Hayek, or a crumpled brief from a mysterious source. Norman Tebbit said the art of being a successful cabinet minister ‘was to have worked out in advance how you shot down the advice that was in her handbag, and if you did it well enough the handbag was not opened’.

This curious relationship between the public and the private, between revealing and concealing, is the thread that runs through the V&A’s current exhibition.

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