David Horspool

The poet and the polymath: two 16th-century Portuguese travellers

Edward Wilson-Lee examines the world through the eyes of Luís de Camões and Damião de Góis, and finds their views very different

Portrait of Damião de Góis by Albrecht Dürer. [Bridgeman Images] 
issue 30 July 2022

In 1866, Dante Gabriel Rossetti visited a London print shop to buy a large canvas of a Renaissance street. He recognised that the bustling scene – black-robed clerics, bargaining merchants, black porters and children teasing a monkey, played out on a wide boulevard in front of a colonnaded row of slightly rickety houses – was Iberian, but could be no more precise. Only in 2009 did scholars identify the street as Lisbon’s Rua Nova dos Mercadores, painted in the late 16th century, and lost like so much of the city in the great earthquake of 1755.

One of the many virtues of Edward Wilson-Lee’s fascinating, elegantly written book is to plunge us into that scene, and to follow a trail outward from this global city across Europe, to Africa, India and beyond. His two guides to this world are Portuguese contemporaries, one a famous epic poet, the other a forgotten archivist and polymath, with two contrasting perspectives on the expanding world they witnessed.

The poet is Luís Vaz de Camões, whose great work, The Lusiads, tells a mythic version of the voyage of Vasco da Gama to India.

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