Andrew Lambirth

The Picasso effect

Andrew Lambirth considers an exhibition that traces the influence of the master on modern British artists

issue 25 February 2012

Pablo Picasso (1881–1973) cast a very long shadow over the 20th century, not least in England. Although he did not visit this country often, he apparently had a high regard for it, despite his somewhat sketchy knowledge of its contemporary painters. He once complained, ‘Why, when I ask about modern artists in England, am I always told about Duncan Grant?’ This remark is usually taken as a slight to Grant, though the two knew each other and maintained friendly relations. In Tate Britain’s exhibition Picasso and Modern British Art (until 15 July) Grant is triumphantly vindicated — one of the show’s pleasant surprises — and we are reminded that he was indeed an artist of considerable stature before he subsided into the late long years of whimsical decoration.

Grant is one of the featured English artists along with Wyndham Lewis, Ben Nicholson, Henry Moore, Francis Bacon, Graham Sutherland and David Hockney.

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