In recent years when we’ve talked about the relations between India and the West, we’ve gone back to stressing the impossibility of interchange. A hundred years ago, E.M. Forster ended A Passage to India with the certainty that Aziz and Fielding could not be friends. Forster thought things would be different after Indian independence, but the spectres of cultural appropriation and the assertion of ongoing imperialist guilt have discouraged equal exchange.
That may explain why the excellent story Mick Brown tells in The Nirvana Express has hardly been covered in the past. How western travellers to India went from sober, interested inquiry to a weirdly content-free fantasy existence, and how some sharp-minded Indians saw an opportunity to make a lot of money and garner a good deal of vulgar status are questions that don’t always show the participants in the best light, and writers have stayed clear.
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