Poetry and conflict are as old as each other. From war springs suffering and from suffering song. Fourteen months after the invasion of Iraq, the ancient association is as vibrant as ever. According to the Guardian, an anthology entitled 100 Poets Against the War has outstripped the opposition and become the nation’s most frequently borrowed book of poetry. Even now I hold the volume in my hand. And I read with tremulous fascination about its torrid and telling birth-throes.
Last year, on the eve of conflict, Laura Bush was favoured with a visitation from Apollo. The god of verse implanted in the First Lady’s mind the bright idea of staging a poetry recital at the White House. She consulted her husband and he duly gave his assent. Invitations were distributed, gallons of alcohol-free beer were ordered, white tables were spread with savoury nibbles, and a series of discrete cubicles were set up to fumigate the flea-ridden rhymesters as they passed into the fragrant West Wing.
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