Alex Peake-Tomkinson

The parent snatchers: The School for Good Mothers, by Jessamine Chan, reviewed

A sinister child protection agency seizes and imprisons supposedly neglectful mothers and dictates childcare mantras with the use of robotic dolls

Robotic dolls feature in Jessamine Chan’s disturbing novel about child protection. [Getty Images] 
issue 02 April 2022

Frida Liu, the 39-year-old mother of a toddler named Harriet, has a very bad day which will haunt her for the length of this novel. She is divorced from Harriet’s father, a middle-aged man called Gust who has left her for a 28-year-old Pilates instructor called Susanna. Harriet will only fall asleep, Frida explains, ‘if I’m holding her hand’. As a consequence, Frida herself has been averaging two hours sleep a night when she finally cracks and decides to leave her daughter unattended so that she can collect some papers from her work place. After her neighbours hear the child crying they call the police and Harriet goes to live with Gust and Susanna. Child protection services install cameras in all the rooms of Frida’s home except the bathroom, but her efforts to change count against her. When she begins to clean her apartment scrupulously, they question why she wasn’t able to do this before.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in