Louise Levene

The Nutcracker wasn’t always considered quite such a box of delights

How did this strange, lopsided ballet – critically panned at its première – become so ubiquitous?

Peter Wright’s sublime, button-backed production of The Nutcracker for the Royal Ballet. Credit: Roh/Tristram Kenton
  • Comments

Already a subscriber? Log in

This article is for subscribers only

Get a free bottle of Johnnie Walker Black Label when you subscribe to The Spectator for just £12 in our Black Friday sale

  • Free bottle of Johnnie Walker Black Label whisky, worth £30
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Read next

Trending

Philip Patrick

Jeremy Clarkson’s time has come

It’s a reasonable bet that if Jeremy Clarkson stood for prime minister tomorrow, he’d win by a country mile. Some might even crown him the next sovereign. At the farmers’ protest in Westminster yesterday, Clarkson dominated the coverage, overshadowing even the other luminaries in attendance. Like Trump, Clarkson has name recognition, independence, and a flair

More on ballet

Also by Louise Levene

Latest

Comments

Black Friday sale: Get 10 weeks for just $1

Unlimited access to the The Spectator, online and via the app

Already a subscriber? Log in