Bevis Hillier

The Midas touch

Now that we can read on Kindle and some people fear that paper-and-ink books will become extinct, one’s first impulse might be to say hurrah for this mighty production.

issue 23 April 2011

Now that we can read on Kindle and some people fear that paper-and-ink books will become extinct, one’s first impulse might be to say hurrah for this mighty production.

Now that we can read on Kindle and some people fear that paper-and-ink books will become extinct, one’s first impulse might be to say hurrah for this mighty production. But then doubts creep in: isn’t it a bit OTT? It is by far the largest book I have ever reviewed, or indeed handled. A monster of a book, a juggernaut, a Leviathan.

And it has a whopping price to match: 400 smackers. I had the sneaking thought: do the publishers, Reel Art Press, really (or reely) expect to sell the limited edition of 1,500 for a total of £600,000? Or has the subject of the book, the poster artist Bill Gold, subsidised it as an act of mingled eccentricity and egocentricity? I imagine he could well afford to do so, as he has designed posters for many blockbuster Hollywood movies.

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