You could be forgiven for assuming that the citizens of Paris weren’t exactly bursting with joy at the prospect of this summer’s Olympic Games. They’re annoyed at everything: road closures, public transport price hikes and – would you believe it? – the prospect of their country being taken over by extremist cranks before the month is out. Bref, or indifference towards the Games is the prevailing attitude – and should you need (flimsy, anecdotal) evidence, I offer you the fact that when I visited an exhibition devoted to the Olympics the day before the first round of voting in the election last week, I had the space entirely to myself.
Beyond a single wall down by the Seine, you won’t see the artist posters displayed much around Paris
It was a shame. Olympisme: une histoire du monde at the Palais de la Porte Dorée, an exemplary art deco exhibition hall formerly known as Le Palais des Colonies, is a show that deserves a crowd.

Get Britain's best politics newsletters
Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.
Already a subscriber? Log in
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in