Derek Turner

The map as a work of art

Britain’s geological strata are shown in fabulous stripes of orange, purple, green and turquoise in William Smith’s magnificent 1815 survey

William Smith’s geological map of south-west Britain, from the Isle of Wight to the Bristol Channel. From Strata (Thames & Hudson) 
issue 19 December 2020

’Tis the season of complacency, when we sit in warmth and shiver vicariously with Mary and Joseph out in the snowy wastes, A Christmas Carol or The Snowman. A handsome exploration of Antarctica seems equally appropriate festive fare.

Peter Fretwell brings us chillingly close to a continent that has always inspired awe, evidenced by christenings such as Mount Erebus and Fenriskjeften — the Wolf’s Jaw mountains, named after Fenris, the Norse equivalent of the Beast, which will arise at the end of time to eat the world. The coldest, driest, remotest and windiest place on the planet, surrounded by the roughest ocean, has always seemed like somewhere primordial deities might live and secrets subsist — entrances to underworlds, hidden civilisations, UFO bases. The ‘Roaring Forties’ and ‘Furious Fifties’ are dreaded by sailors; valleys have seen no rain for three million years and temperatures tumble to -89.5°C. These mesmerising maps offer sparklingly clear prospects of an otherwise almost incomprehensible terrain.

Some have essayed this literally awful place ever since Captain Cook surmised its existence in 1775, magnetised by its beauty, bounty and mystery, or wishing to reach the Pole, climb a peak or lay claim on behalf of some ruler of the Global North.

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