It is to Peter Quennell in his memoir The Wanton Chase that D.J. Taylor owes his concept of wartime London’s ‘Lost Girls’: ‘adventurous young women who flitted around London, alighting briefly here and there, and making the best of any random perch on which they happened to descend’. They were courageous, living ‘without any thought for past or future’ in that bomb-blasted city, but what most touched Quennell’s heart was ‘their air of waywardness and loneliness’. He should know: he was married to one Lost Girl (Glur) while madly, frustratedly in love with another (the high-octane Barbara Skelton) who he introduced to Cyril Connolly alongside a third, Lys Lubbock, with ultimately cataclysmic results. For it was around Connolly, man-about-town and editorial supremo of the literary phenomenon that was Horizon, that the coterie of Lost Girls orbited for a decade and more, drawn like moths to his guttering flame.
Love him or loathe him, Connolly had charisma.
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