The lonely passions of Emily Hale and Mary Trevelyan

This year marks the centenary of the publication of The Waste Land, the poem that made T.S. Eliot famous. His story is familiar and yet still surprising. What is well known: Ezra Pound whipped The Waste Land into shape, it was published in The Dial and then The Criterion, and it was quickly recognised as a poem of great importance. Eliot emerged as the poet of his age and his views on the ‘impersonality’ of poetry would dominate the next several decades of poetry and criticism. What is less well known is how Eliot’s work was shaped and influenced by a few key women. This dynamic is what Lyndall Gordon’s The Hyacinth Girl and Mary Trevelyan and Erica Wagner’s Mary & Mr Eliot set out to explore.

Gordon has written about Eliot before. Her biography of him, T.S. Eliot: An Imperfect Life, is traditional. The Hyacinth Girl is not. It focuses on Emily Hale, who, Gordon argues, inspired parts of The Waste Land and several other poems.