Piers Torday

The lonely passion of Beatrix Potter

Her solitary childhood at least honed her gifts as an artist and naturalist. But she seems to have lost heart with The Tale of Kitty-in-Boots

issue 10 December 2016

The story of the extraordinary boom in children’s literature over the last 100 years could be bookended with a ‘Tale of Two Potters’ — Beatrix and Harry. The adventures of the latter have sold millions, but the foundations of his success were laid by the former, whose series of ‘little tales’ Matthew Denison estimates in his equally condensed new biography, ‘are purchased somewhere in the world every 15 seconds’. That is not bad for an author whose first book, The Tale of Peter Rabbit, came out in 1902 — 40 million copies sold so far, and counting — with neither the benefit of the internet or a movie franchise to spread the word.

Much has been presumed about the effect of J.K. Rowling’s experience as a single mother on her writing, and Dennison focuses on what could be described as Beatrix Potter’s ‘single childhood’. In a Kensington townhouse, with grand holiday homes taken in the Lakes or Scotland, it was certainly not materially deprived — the Potters rarely travelled without a fairy caravan of domestic staff — but ‘like Griselda, the heroine of Mrs Molesworth’s The Cuckoo Clock, published when she was 11, “It was very dull.

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