If only E. M. Forster hadn’t beaten him to it by exactly a century, Jonathan Coe could have coined the enigmatic phrase ‘only connect’ in this novel.
If only E. M. Forster hadn’t beaten him to it by exactly a century, Jonathan Coe could have coined the enigmatic phrase ‘only connect’ in this novel. Maxwell Sim cannot connect at all. A depressed salesman approaching 50, he is adrift from his father, who moved to Australia 20 years ago, from his wife, an aspiring writer who left him to live in the Lake District, and from his daughter, who hardly speaks to him. He has 70 Facebook ‘friends’, but they are of course not real friends. Worst of all, he cannot connect with — or even like — himself, a failing pointed out by his wife before her departure. Unsurprisingly, he feels low, but we know that he will soon feel even lower: the novel opens with a newspaper article, set a few days in the future, concerning Max’s discovery in a car in Aberdeenshire, drunk, naked and hypothermic, with the boot tragicomically stuffed with 400 toothbrushes and a bin-liner full of postcards.
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