Pierre d’Alancaisez

The latest Venice Biennale is ideologically and aesthetically bankrupt 

The abdication of aesthetic criteria in favour of a 'decolonial' organising principle is a wholly inadequate rationale for presenting contemporary art

Contemporary art has rendered itself obsolete at the latest Venice Biennale. Credit: Matteo De Mayda
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  • Venice Biennale 2024: Foreigners Everywhere

    Giardini della Biennale and Arsenale, Venice, until 24 November

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