Dorian Lynskey

The last days of Sodom

Then It Fell Apart, Moby’s sardonic sequel to Play, is a thoroughly arresting account of a success more toxic than failure

issue 15 June 2019

In 2002 I flew to New York to interview the dance music producer whose 1999 release Play remains the bestselling electronica album of all time. A few years earlier, Moby had been known as a teetotal Christian vegan, an ascetic anomaly in a scene built on hedonism, so there was something comic about his new-found reputation as a promiscuous party monster.

The photo-shoot paid homage to Jimi Hendrix’s Electric Ladyland, with Moby posing in a cardigan, reading a magazine, oblivious to the 18 naked women surrounding him. (No, this concept wouldn’t fly in 2019.) The headline was ‘Death of a Ladies’ Man’. As we spoke, Moby struck me as charmingly candid and self-aware, but he was clearly lying (perhaps to himself as much as to me) when he claimed that his life was returning to normal. As Then It Fell Apart reveals, he continued to pursue sex, drugs, alcohol and approval with deranged gusto for several more years.

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