Harley Granville-Barker, actor, director, playwright, manager and critic, was a pasha of the Edwardian London stage. As a director, his Midsummer Night’s Dream of 1914 was a theatrical landmark. His own plays were provocative and controversial. The Secret Life, for example, was an analysis of the torpor of the British ruling classes. Waste, involving a married woman’s lethal abortion, was suppressed by the Lord Chamberlain. In 1916, aged 38, at the peak of his celebrity, the great Harley Granville-Barker volunteered for a walk-on part on the Western Front as a Red Cross auxiliary.
Last week I came across an account of his opening night in the trenches, as related to a military doctor, Dr Harold Dearden, and repeated in that man’s riveting Great War diaries, published in 1928 under the title Medicine and Duty.
As London’s leading luvvie entered the darkened front-line trench (reports Dr Dearden’s informant) he was so frightened that as he progressed along it his knuckles beat a tattoo against the wooden sides.
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in