Martin Gayford

The joy of socially distanced gallery-going

July sees the reopening of most of the big galleries. Martin Gayford chooses his highlights

The Wallace Collection’s ‘Rainbow Landscape’, c.1636, by Peter Paul Rubens. Bridgeman Images 
issue 11 July 2020

Not long after the pubs, big galleries have all started to reopen, like flowers unfolding, one by one. The timing reminded me of an anecdote that Lucian Freud used to tell about a Soho painter friend he took into the National Gallery after it had shut (as some senior artists are entitled to do). They arrived after closing time in the drinking holes of Soho, and the painter friend was staggering and swaying so much that Lucian — who was not easily rattled — became alarmed that he was going to put one of his flailing arms through a Rembrandt.

I wonder how those art-lovers of yesteryear would have coped with socially distanced visits. I think they may be an improvement, at least in some respects. The one-way system by which we must now go round museums sounds like a brake on spontaneity (one of the pleasures of picture-viewing is wandering on impulse from painting to painting and room to room).

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