Michael Hann

The joy of meat-and-potatoes rock

There's nothing to be ashamed of in liking white men with guitars who play loud, uncomplicated music, such as Gun

Terrific fun: Paul McManus, Dante Gizzi and Giuliano Gizzi at the 100 Club. Photo: John McMurtrie  
issue 09 March 2024

‘Meat-and-potatoes rock’ is the pejorative term critics use when describing groups of white men with guitars who play loud, uncomplicated music. Why would anyone enjoy such stuff, when there are the ceviches of hyperpop, the flavoured foams of experimental hip-hop, the chargrilled seasonal vegetables of jazz? Don’t they know the world has moved on?

Unfortunately, the world has a habit of not listening to the critical consensus. The highest new entry in last week’s album chart came from the Snuts, a meat-and-potatoes guitar band. This week’s No. 1 album is all but guaranteed to be by Liam Gallagher and John Squire, the Toby Carvery of meat-and-potatoes rock. As the prevalence of burger chains and chicken shops on the nation’s high street should suggest, a lot of people really, really like meat and potatoes.

There’s a sense of great comfort in encountering two guitars, a bass, drums and a singer

I do too. And I like it in music.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in