Martin Gayford

The jewel-bright, mesmerisingly detailed pictures by Raqib Shaw are a revelation

A good way to sample the Venice Biennale and its off-shoots is just to follow your fancy: step through an ancient doorway and find out what is on the other side

‘Agony in the Garden (after Tintoretto) II’, 2020-21, by Raqib Shaw. Credit: White Cube (Ollie Hammick)
  • Comments

Already a subscriber? Log in

This article is for subscribers only

Get a free bottle of Johnnie Walker Black Label when you subscribe to The Spectator for just £12 in our Black Friday sale

Offer extended due to popular demand: ${days} days ${hours} hrs ${minutes} mins ${seconds} secs
  • Free bottle of Johnnie Walker Black Label whisky, worth £30
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Read next

Trending

Alexander Larman

The new Jaguar is spectacularly hideous

Winston Churchill reputedly said ‘Success consists of going from failure to failure without loss of enthusiasm.’ This adage must have been at the forefront of the minds of Jaguar’s chief executives as they unveiled the brand’s new electric concept car, the Type 00, during Miami Art Week. The company has had a torrid past few

More on anish kapoor

Also by Martin Gayford

Latest

Comments

Join the debate

Comments are subscriber only. Subscribe to The Spectator today.

Already a subscriber? Log in