Lee Langley

‘The Infatuations’, by Javier Marías – review

issue 09 March 2013

A café in Madrid. From her table across the room a solitary woman watches an attractive couple share breakfast morning after morning and speculates pleasurably about their relationship. One day they fail to appear and as time passes she feels a deepening sense of loss. Later she learns that the man has been murdered, stabbed to death in the street — an apparently senseless crime.

The tragedy of the happy couple touches and disturbs her. Then, almost accidentally, she finds herself becoming involved with the widow and the dead man’s best friend. At first all is straightforward: loss, grieving, consolation. Gradually the relationship becomes more complex: she begins an affair with the friend, recognising that she is little more than a stopgap in his life. And so things continue, until, at a certain point a remark overheard, an ominous hint, sets up unease and leaves her floundering. Nothing is quite as it seems — but how could it be? We’re in Javier Marías territory.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in