William Cook

The Ikon Gallery’s greatest hits

The celebrations for the Birmingham gallery's 50th anniversary are like a compact history of contemporary art

‘French Window’ video still, 1973, by Ian Emes, whose show opens in April [Getty Images/Shutterstock/iStock/Alamy] 
issue 01 March 2014

In a crowded storeroom at Ikon, Birmingham’s contemporary art gallery, its director Jonathan Watkins is unwrapping the pictures for his latest show. His excitement is infectious. He’s like a big kid on Christmas day. This exhibition marks the start of Ikon’s 50th season, for which he’s devised a special programme — a history of Ikon, which doubles as a compact history of contemporary art.

To celebrate Ikon’s half-century, Watkins is mounting shows by five artists, one from each decade, who’ve exhibited here during the past 50 years. First up is the photorealist John Salt — the first artist ever shown at Ikon. He’ll be followed in April by Ian Emes, whose short animated film, French Windows, was made to accompany ‘One of These Days’, a song by Pink Floyd. Cornelia Parker’s ‘Thirty Pieces of Silver’ (now in the Tate collection) was commissioned by Ikon back in 1988. She’ll be reconstructing this artwork here in July.

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