Clarissa Tan

The ideal death show

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issue 14 September 2013

I am in a yurt, talking about death. Everyone is seated in a circle, and I am the next-to-last person to share. The last of the summer sun is shining through the entrance. At one end is a display coffin of biodegradable willow — there’s also tea and coffee, and coffin-shaped biscuits with skeleton-shaped icing.

‘I am a reporter,’ I say. ‘I’ve come to cover this event. But don’t worry, I won’t report what you share in this yurt. Also, I have cancer. I have been in treatment for one year, but now the treatment is over. I take one day at a time.’

There is silence, then hugs. I thought I would cry, but I don’t. Instead, I feel acceptance and a strange kernel of satisfaction. For the rest of my time here I am Death Girl, shrouded in drama.

The yurt is on the grounds of a beachfront hotel in Bournemouth.

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