The haunting power of 17th-century Dutch art

Laura Cumming writes about art with a painter’s precision. She’s been the chief art critic for the Observer since 1999. Her fourth work of non-fiction, Thunderclap, is a beautifully illustrated memoir that intertwines biography, visual analysis and personal reflection. An eloquent homage to her artist father, James Cumming, and to the artists of the Dutch golden age, it explores the power of pictures in life and in death.

Dutch art is a culture like no other, writes Cumming. ‘Which other nation wanted to portray all of itself in this way, its food and drink and physical conditions, its lovers, its doctors, housewives and drunks?’ Freed from Spanish Catholic rule after 80 years of warfare, the newly independent Dutch Republic emerged in the mid-17th century with a cultural boom: between 1.3 and 1.4 million paintings were produced by up to 700 painters in under two decades.