Ethel Rosenberg was an exceptional woman. Born with a painful curvature of the spine to a poor family of Jewish immigrants and a mother who never loved her, she was determined to make her life matter. A talented singer, she won a place at New York’s prestigious Schola Cantorum and performed at Carnegie Hall. Having found clerical work, she helped organise strike action and then won a court vindication. Seeing the rise of fascism, she came to embrace the concept of communism, and when war arrived she campaigned for America’s entry.
Ethel’s exceptionalism did her no favours, however, in paranoid post-war America. Although she focused on her children, she was still far too close to her husband’s work. Already seen as ‘peculiar’, she was widely misjudged and easy to misrepresent. Aged just 37, in 1953 she said farewell to her two young sons and became the first woman in American history to be executed for a crime other than murder.
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in