Amidst the coruscating party conference commentary might I just slip in a small musical note akin to that so enjoyed by Matthew Parris in his terrific article in this week’s Spec? He was entranced by a single phrase played on the violin, cutting through the artificial flurry and tension before the transmission of a live television broadcast. On Friday night I was similarly transported by the glory that is two people making music together. In the eastern crypt of Canterbury Cathedral, as a dirty night pressed itself up against the windows and the rain sluiced down, two old friends – friends who had been choristers together in the same cathedral – played piano and flute in a programme of music they had devised and in some cases arranged between them. It was a small shining miracle of trust, affection and untrammelled musical empathy. And every note dropped unerringly into the hearts of those lucky enough to be listening.
Henrietta Bredin
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in